Gravity’s Real Rainbow

Some people are born to scones, some have scones thrust upon them.  As I stepped into his coffee shop this morning, Al was loading a fresh batch onto the rack.  “Hey, Sy, try one of these.”

“Uhh … not really my taste.  You got any cinnamon ones ready?”

“Not much for cheddar-habañero, huh?  I’m doing them for the hipster trade,” waving towards all the fedoras on the room.  “Here ya go.  Oh, Vinnie’s waiting for you.”

I navigated to the table bearing a pile of crumpled yellow paper, pulled up a chair.  “Morning, Vinnie, how’s the yellow writing tablet working out for you?”

“Better’n the paper napkins, but it’s nearly used up.”

“What problem are you working on now?”

“OK, I’m still on LIGO and still on that energy question I posed way back — how do I figure the energy of a photon when a gravitational wave hits it in a LIGO?  You had me flying that space shuttle to explain frames and such, but kept putting off photons.”

“Can’t argue with that, Vinnie, but there’s a reason.  Photons are different from atoms and such because they’ve got zero mass.  Not just nearly massless like neutrinos, but exactly zero.  So — do you remember Newton’s formula for momentum?”

“Yeah, momentum is mass times the velocity.”

“Right, so what’s the momentum of a photon?”

“Uhh, zero times speed-of-light.  But that’s still zero.”

“Yup.  But there’s lots of experimental data to show that photons do carry non-zero momentum.  Among other things, light shining on an an electrode in a vacuum tube knocks electrons out of it and lets an electric current flow through the tube.  Compton got his Nobel prize for that 1923 demonstration of the photoelectric effect, and Einstein got his for explaining it.”

“So then where’s the momentum come from and how do you figure it?”

“Where it comes from is a long heavy-math story, but calculating it is simple.  Remember those Greek letters for calculating waves?”

(starts a fresh sheet of note paper) “Uhh… this (writes λ) is lambda is wavelength and this (writes ν) is nu is cycles per second.”

“Vinnie, you never cease to impress.  OK, a photon’s momentum is proportional to its frequency.  Here’s the formula: p=h·ν/c.  If we plug in the E=h·ν equation we played with last week we get another equation for momentum, this one with no Greek in it:  p=E/c.  Would you suppose that E represents total energy, kinetic energy or potential energy?”

“Momentum’s all about movement, right, so I vote for kinetic energy.”

“Bingo.  How about gravity?”

“That’s potential energy ’cause it depends on where you’re comparing it to.”

light-in-a-gravity-well“OK, back when we started this whole conversation you began by telling me how you trade off gravitational potential energy for increased kinetic energy when you dive your airplane.  Walk us through how that’d work for a photon, OK?  Start with the photon’s inertial frame.”

“That’s easy.  The photon’s feeling no forces, not even gravitational, ’cause it’s just following the curves in space, right, so there’s no change in momentum so its kinetic energy is constant.  Your equation there says that it won’t see a change in frequency.  Wavelength, either, from the λ=c/ν equation ’cause in its frame there’s no space compression so the speed of light’s always the same.”

“Bravo!  Now, for our Earth-bound inertial frame…?”

“Lessee… OK, we see the photon dropping into a gravity well so it’s got to be losing gravitational potential energy.  That means its kinetic energy has to increase ’cause it’s not giving up energy to anything else.  Only way it can do that is to increase its momentum.  Your equation there says that means its frequency will increase.  Umm, or the local speed of light gets squinched which means the wavelength gets shorter.  Or both.  Anyway, that means we see the light get bluer?”

“Vinnie, we’ll make a physicist of you yet.  You’re absolutely right — looking from the outside at that beam of photons encountering a more intense gravity field we’d see a gravitational blue-shift.  When they leave the field, it’s a red-shift.”

“Keeping track of frames does make a difference.”

Al yelled over, “Like using tablet paper instead of paper napkins.”

~~ Rich Olcott

The Solar System is in gear

Pythagoras was onto far more than he knew.  He discovered that a stretched string made a musical tone, but only when it was plucked at certain points.  The special points are those where the string lengths above and below the point are in the ratio of small whole numbers — 1:1, 1:2, 2:3, ….  Away from those points you just get a brief buzz.  All of Western musical theory grew out of that discovery.

sinesThe underlying physics is straightforward.  The string produces a stable tone only if its motion has nodes at both ends, which means the vibration has to have a whole number of nodes, which means you have to pluck halfway between two of the nodes you want.  If you pluck it someplace like 39¼:264.77 then you excite a whole lot of frequencies that fight each other and die out quickly.

That notion underlies auditorium acoustics and aircraft design and quantum mechanics.  In a way, it also determines where objects reside in the Solar System.

If you’ve got a Sun with only one planet, that planet can pick any orbit it wants — circular or grossly elliptical, close approach or far, constrained only by the planet’s kinetic energy.

If you toss in a second planet it probably won’t last long — the two will smash together or one will fall into the Sun or leave the system.  There are half-a-dozen Lagrange points, special configurations like “all in a straight line” where things are stable.  Other than those, a three-body system lives in chaos — not even a really good computer program can predict where things will be after a few orbits.

geared-saturnAdd a few more planets in a random configuration and stability goes out the window — but then something interesting happens.  It’s the Chladni effect all over again.  Planets and dust and everything go rampaging around the system.  After a while (OK, a billion years or so) sweet-spot orbits start to appear, special niches where a planet can collect small stuff but where nothing big comes close enough to break it apart.  It’s not like each planet seeks shelter, but if it finds one it survives.

It’s a matter of simple arithmetic and synchrony.  Suppose you’re in a 600-day orbit.  Neighbor Fred looking for a good spot to occupy could choose your same 600-day orbit but on the other side of the Sun from you.  But that’s a hard synchrony to maintain — be off by a few percent and in just a few years, SMASH!

The next safest place would be in a different orbit but still somehow in synchrony with yours.  Inside your orbit Fred has to go faster and therefore has a shorter orbital period than yours.  Suppose Fred’s year is exactly 300 days (a 2:1 period ratio, like a 2:1 gear ratio).  Every six months he’s sort-of close to you but the rest of the time he’s far away.

Our Solar System does seem to have developed using gear-year logic.  Adjacent orbital years are very close to being in whole-number ratios.  Mercury, for instance, circles the Sun in about 88 days.  That’s just 2% away from 2/5 of Venus’s 225¾ days.

This table shows year-lengths for the Sun’s most prominent hangers-on, along with ratios for adjacent objects.  For the “ideal” ratios I arbitrarily picked nearby whole-number multiples of 2.  I calculated how long each object’s year “should” be compared to its lower neighbor — the average inaccuracy across all ten objects is only 0.18%.

Object
Period, years
2 × shorter / longer period
“Ideal” ratio
“Ideal” period, years
Real/”Ideal”
Mercury
0.24
0.24
Venus
0.62
5.11
5 : 2
0.60
102%
Earth
1.00
3.25
3 : 2
0.92
108%
Mars
1.88
3.76
4 : 2
2.00
94%
Ceres
4.60
4.89
5 : 2
4.70
98%
Jupiter
11.86
5.16
5 : 2
11.50
103%
Saturn
29.46
4.97
5 : 2
29.65
99%
Uranus
84.02
5.70
6 : 2
88.37
95%
Neptune
164.80
3.92
4 : 2
168.04
98%
Pluto
248.00
3.01
3 : 2
247.20
100%

gears-2The usual rings-around-the-Sun diagram doesn’t show the specialness of the orbits we’ve got.  This chart shows the four innermost planets in their “ideal” orbits, properly scaled and with approximately the right phases.  I used artistic license to emphasize the gear-like action by reversing Earth’s and Mercury’s direction.   Earth and Mars are never near each other, nor are Earth and Venus.

It doesn’t show up in this video’s time resolution, but Venus and Mercury demonstrate another way the gears can work.  Mercury nears Venus twice in each full 5-year cycle, once leading and once trailing.  The leading pass slows Mercury down (raising it towards Venus), but the trailing pass speeds it up again.  Net result — safe!

~~ Rich Olcott