New Volcano, Old Crater

Now Eddie’s dealing the cards and the topic choice. “So I saw something on TV about a new volcano on Mars. You astronomy guys have been saying Mars is a dead planet, so what’s with a new volcano? Pot’s open.”

Vinnie’s got nothing, throws down his hand. So does Susan, but Kareem antes a few chips. “I doubt there’s a new volcano, it’s probably an old one that we just realized is there. We find a new old caldera on Earth almost every year. Sy, I’ll bet your tablet knows about it.”

I match Kareem’s bet and fire up Old Reliable. A quick search gets me to the news item. “You’re right, Kareem, it’s a new find of an old volcano. This article’s a puff‑piece but the subject’s in your bailiwick, Cathleen.”

Cathleen puts in her bet and pulls out her tablet. “You’re right, Kareem. It’s a volcano we all saw but no‑one recognized until this two‑person team did. Here’s a wide‑angle view of Mars to get you oriented. North is up top, east is to the right just like usual.”

“Gaah. Looks like a wound!”

“We’ll get to that. The colors code for elevation, purple for lowlands up through the rainbow to red, brown and white. Y’all know about Olympus Mons, the 22‑kilometer tallest volcano in the Solar System, and there’s Valles Marineris, at 4000 kilometers the longest canyon. The Tharsis bulge is red‑to‑pink because it’s higher than most all the rest of the planet’s surface. Do you see the hidden volcano?”

“It’s hard to tell the volcanos from the meteor craters.”

“Understandable. Let me switch to a closer view of the canyon’s western end. This one’s in visible light, no color‑coding games. The middle one of the three Tharsis volcanos is to the left, no ginormous meteor craters in the view. Noctis labyrinthus, ‘the Labyrinth of Night.’ is that badlands region left of center. Lots of crazy canyons that go helter‑skelter.”

“That’s more Mars‑ish, but it’s still unhealthy‑looking.”

“It is a bit rumpled. Do you see the volcano?”

“Mmm, no.”

“This should help. It’s a close-up using the elevation colors to improve contrast.”

“Wow, the area inside that circle sure does look like it’s organized around its center, not higgledy-piggledy like what’s west of it. That brown image had something peaky right about there. What’s ‘prov’?”

“Good eye, Susan. The ‘prov’ means ‘provisional‘ because names aren’t real until the International Astronomical Union blesses them. The peak is nine kilometers high, almost half the height of Olympus Mons. The concentric array of canyons and mesas around it certainly make it look like a collapsed and eroded volcano. But IAU demands more evidence than just ‘look like.’ Using detailed spectroscopic data from two different Mars orbiters, the team found evidence of hydrated minerals plus structural indications that their proposed volcano either punched through a glacier or flowed onto one. Better yet, the mesas all tilt away from the peak, and the minerals are what you’d expect from water reacting with fresh lava.”

“Did they use the word ‘ultramafic‘?”

“I don’t think so, Kareem, just ‘mafic‘.”

“From underground but not deep down, then.”

“I suppose.”

Cal bets. “You said we’d get back to wounds. What was that about?”

“Well, just look at all that mess related to the Tharsis bulge — higher than all its surroundings, massive volcanos nearby, the Noctis badlands, Valles Marineris that doesn’t look water‑carved but has that delta at its eastern end. Why is all of that clustered in just one part of the planet? Marsologists have dozens of hypotheses. My own favorite centers on Hellas basin. It’s the third largest meteor strike in the Solar System and just happens to be almost exactly on the opposite side of Mars.”

Eddie looks a bit gobsmacked. “A wallop like that would carry a lot of momentum. Kareem, can a planet’s interior just pass that along in a straight line?”

“Could be, depending. If it’s solid or high‑viscosity, I guess so. If it’s low‑viscosity you’d get a doughnut‑shaped circulatory pattern inside that’d turn the energy into heat and vulcanism. How long was Mars cooling before the hit?”

“We don’t know.”

Cal’s pair of jacks apologetically takes the pot.

~~ Rich Olcott

Sounds, Harsh And Informative

Vinnie’s frowning. “Wait, Sy. I get how molecules bumping into each other can carry a sound wave across space if the frequency’s low enough and that can maybe account for galaxies having spiral arms. So what’s that got to do with the Sonication Project?”

Now Jeremy’s frowning. “What’s sonication got to do with Astronomy? One of my girl friends uses sonication in Biology lab when she’s studying metabolism in plant cells.”

“Whoa! Sonification, not sonication — they could have called it soundify‑cation but sonification‘s classier. ‘Sonication‘ uses high‑intensity ultrasound to jiggle a sample so roughly that cell walls can’t take the stress. They break open and spill the cell’s internal soup out where your friend’s probes can get to it. Tammy, the chemist down the hall from my lab, uses sonication, too.”

“Whoa, Susan, wouldn’t sonication break up molecules?”

“Depends on the frequency and intensity, Vinnie. Sonication can mess up big floppy proteins and DNA, but chemists who play with little peptides and such don’t care. Tammy does solid‑state chemistry. She’s looking for superconductors and she actually does want to break things. The field’s hot category these days is complex copper oxides doped with other metals. You synthesize those compositions by sintering a mix of oxide powders. To maximize contact for a good reaction you need really fine‑grained powders. Sonication does a great job of shattering brittle oxide grains down to bits just a few‑score atoms wide. But Tammy’s technique is even more elegant than that.”

“Elegant sneezes from the powder?”

Susan wallops my shoulder. “No, Sy, the powders are so small they’d be a lung hazard and some of them are toxic. Everything’s done behind respiratory protection.” <Susan doesn’t joke about lab safety.> “There’s evidence that some of these materials are only superconductive if they have the right kind of layered structure. Turns out that if Tammy has her sonicator setup just right when she preps a sample for sintering, the sound wave peaks and valleys inside the machine make the shattered particles settle out in interesting layers.”

“Like Chladni figures.”

“Oh, you know about them.”

“Yeah, I wrote about them a few years ago. Waves do surprising things.”

Vinnie’s getting impatient. “So what’s sonification then?”

Tinkly music bursts from Cathleen’s tablet. “This one’s listenable, Susan, and it’s a nice demonstration of what sonification’s about and how arbitrary it can be. You start with complicated multi‑dimensional data and use some process to turn it into audible signals. The process algorithm can use any sound characteristics you like — loudness, pitch, timbre, whatever. This example started with the famous Bullet Cluster image that most people accept as the first direct confirmation of dark matter. All the white‑ish thingies are galaxies except for the ones with pointy artifacts — those are stars. The pink haze is X‑ray light from the same region. The blue haze comes from a point‑by‑point assessment of how badly the galaxy images have been distorted by gravitational lensing — that’s an estimate of the dark matter mass between us and that region of sky. Got all that?”

“And that vertical line is like a scan going across the picture?”

“It’s not like a scan, it is a scan. Imagine a collection of tiny multi‑spectral cameras arranged along a carrier bar. As the bar travels across the picture, each camera emits three signals proportional to the amount of white, pink and blue light it sees. If you look close, just to the right of the line, you’ll see moving white, red and blue line‑charts of the respective signals.”

“That’s fine, but what’s with the sound effects?”

“The Project’s sonification processing generated hiss and rumble sounds whose loudness is proportional to the red and blue signals. Each white‑ish peak became a ping whose pitch indicates position along that bar.”

“Why go to all that trouble?”

“The sounds encode the picture for vision‑challenged people. Beyond that, the Project participants hope that with the right algorithms, their music will reveal things the pictures don’t.”

“They should avoid screamy sounds.”

~~ Rich Olcott

Galaxies Sing In A Low Register

Jeremy gets a far‑away look. ”It’s gotta be freakin’ noisy inside the Sun.” just as our resident astronomer steps into Cal’s Coffee.

“Wouldn’t bet that, Jeremy. Depends on where you are in the Sun and on how you define noise.”

Vinnie booms, quietly. ”We just defined it, Cathleen. Atoms or molecules bumping each other in compression waves. Oh, wait, that’s ‘sound,’ you said ‘noise.’ Is that different?”

Susan slurps the last of her chocolate latte. ”Depends on your mood, I guess. All noise is sound, but some sound can be signal. Some people don’t like my slurping so for them it’s noise but Cal hears it as an order for another which makes him happy.”

“Comin’ up, Susan. Hey, Cathleen, maybe you can slap down Sy. He said spiral galaxies have something to do with sound which don’t make sense. Set him straight, okay?”

“Sy, have you all settled that sound isn’t limited to what humans hear?”

“Sure. Everybody’s agreed that infrasound and ultrasound are sound, and that Bishop Berkeley’s fallen tree made a sound even though nobody heard it. That’s probably what got Jeremy thinking about sound inside the Sun.” Jeremy nods.

“Then Vinnie’s definition is too limited and Sy’s statement is correct. Probably.”

That gets a reaction from everyone, though mine is a smile. ”Let ’em have it, Cathleen.”

“Okay. Let’s take Jeremy’s idea first and then we’ll get to galaxies.” <fetches her tablet from her purse and a display on her tablet> “Here’s a diagram of the Sun I did for class. If you restrict ‘sound‘ to mean only coherent waves borne by atoms and molecules, there’s no sound in the innermost three zones. The only motion, if Sy grants I can call it that, is photons and subnuclear particles randomly swapping between adjacent nuclei that are basically locked into position by the pressure. Not much actual atomic motion until you’re up in the Convection Zone where rising turbulence is the whole game. Even there most of the particles are ions and electrons rather than neutral atoms. Loud? You might say so but it’d be a continuous random crackle‑buzz, not anything your ears would recognize. Sound waves as such don’t happen until you reach the atmospheric layers. Up there, oh yes, Jeremy, it’s loud.”

Geologist Kareem is a quiet guy, normally just sits and listens to our chatter, but Cathleen’s edging onto his turf. ”How about seismic waves? If there’s a big flare or CME up top, won’t that send vibrations all the way through?”

“Good point, Kareem. Yes, the Sun has p and s waves just like Earth does, but they travel no deeper than the Convection Zone. A different variety we may not have, g waves, would involve the core. Unfortunately, theory says g waves are so weak that the Convection Zone’s chaos swamps them. Anyway, the Sun’s s, p and g waves wouldn’t contribute to what Jeremy would hear because their frequencies are measured in hours or days. Can I get to galaxies now?”

“Please do.”

“Thanks.” <another display on her tablet> “Here’s a classic spiral galaxy. Gorgeous, huh? The obvious question is, is it winding in or spraying out? The evidence says ‘No‘ to both. The stars are neither pulled into a whirlpool nor flung out from a central star‑spawner. By and large, the stars or clusters of them are in perfectly good Newtonian orbits around the galactic center of gravity. So why are they collected into those arms? Here’s a clue — most of the blue stars are in the arms.”

“What’s special about blue stars?”

“In general, blue stars are large, hot and young. Our Sun is yellow, about halfway through a 10‑million‑year lifetime. The blue guys burn through their fuel and go nova in a tenth of that time. Blue stars out there tell us that the arms serve as stellar nurseries. It’s not stars gathering into arms, it’s galaxy‑wide rotating waves of gas birthing stars there. There’s argument about whether the wave rotation is intrinsic or whether there’s feedback as each wave is pulled along by star formation at the leading edge and pushed by novae at the trailing edge. Sy’s point, though, is that an arm‑dwelling old red star would experience the spinning gas density pattern as a basso profundo sound wave with a frequency even lower than the million‑year range. Right, Sy?”

“As always, Cathleen.”

~~ Rich Olcott

  • More thanks to Alex.

A Spherical Bandstand

“Whoa, Sy, something’s not right. Your zonal harmonics — I can see how latitudes go from pole to pole and that’s all there are. Your sectorial harmonic longitudes start over when they get to 360°, fine. But this chart you showed us says that the radius basically disappears crazy close to zero. The radius should keep going forever, just like x, y and z do.”

“Ah, I see the confusion, Susan. The coordinate system and the harmonic systems and the waves are three different things, um, groups of things. You can think of a coordinate system as a multilevel stage where chords of harmonic musicians can interact to play a composition of wave signals. The spherical system has latitude and longitude levels for the brass and woodwind players, plus one in back for the linear percussion section. Whichever direction the brass and woodwinds point, that’s where the signals go out, but it’s the percussion that determines how far they get. Sure, radius lines extend to infinity but except for R0 radial harmonics damp out pretty quickly.”

“Signals… Like Kaski’s team interpreted Juno‘s orbital twitches as a signal about Jupiter’s gravitational unevenness. Good thing Juno got close enough to be inside the active range for those radial harmonics. How’d they figure that?”

“They probably didn’t, Cathleen, because radial harmonics don’t fit easily into real situations. First problem is scale — what units do you measure r in? There’s an easy answer if the system you’re working with is a solid ball, not so easy if it’s blurry like a protein blob or galaxy cluster.”

“What makes a ball easy?”

“Its rigid surface that doesn’t move so it’s always a node. Useful radial harmonics must have a node there, another node at zero and an integer number of nodes between. Better yet, with the ball’s radius as a natural length unit the r coordinate runs linearly between zero at the center and 1.0 at the surface. Simplifies computation and analysis. In contrast, blurries usually don’t have convenient natural radial units so we scrabble around for derived metrics like optical depth or mixing length. If we’re forced into doing that, though, we probably have worse challenges.”

“Like what?”

“Most real-world spherical systems aren’t the same all the way through. Jupiter, for instance, has separate layers of stratosphere, troposphere, several chemically distinct cloud‑phases, down to helium raining on layers of hydrogen in liquid, maybe slushy or even solid form. Each layer has its own suite of physical properties that put kinks into a radial harmonic’s smooth curve. Same problem with the Sun.”

“How about my atoms? The whole Periodic Table is based on atoms having a shell structure. What about the energy level diagrams for atomic spectra? They show shells.”

“Well, they do and they don’t, Susan. Around the turn of the last Century, Lyman, Balmer, Paschen, Brackett and Pfund—”

“Sounds like a law firm.”

“<ironically> Ha, ha. No, they were experimental physicists who gave the theoreticians an important puzzle. Over a 40‑year period first Balmer and then the others, one series at a time, measured the wavelengths of dozens of lines in hydrogen’s spectrum. ’Okay, smarties, explain those!‘ So the theoreticians invented quantum mechanics. The first shot did a pretty good job for hydrogen. It explained the lines as transitions between discrete states with different energy levels. It then explained the energy levels in terms of charge being concentrated at different distances from the nucleus. That’s where the shell idea came from. Unfortunately, the theory ran into problems for atoms with more than one electron.”

“Give us a second… Ah, I get why. If one electron avoids a node, another one dives in there and that radius isn’t a node any more.”

“Got it in one, Cathleen. Although I prefer to think of electrons as charge clouds rather than particles. Anyhow, when an atom has multiple charge concentrations their behavior is correlated. That opens the door to a flood of transitions between states that simply aren’t options for a single‑electron system. That’s why the visible spectrum of helium, with just one additional electron, has three times more lines than hydrogen does.”

“So do we walk away from spherical harmonics for atoms?”

“Oh, no, Susan, your familiar latitude and longitude harmonics fit well into the quantum framework. These days, though, we mostly use combinations of radial fade‑aways like my Sn00 example.”

~~ Rich Olcott

Jupiter And The Atoms

“Okay, Sy, what’s your third solution?”

“Solution to what, Susan?”

These harmonic thingies. They’re about angles so it makes sense to chart them in polar or spherical coordinates, but when they take on negative values the radius goes the wrong way. You said one solution was to chart the negatives in a different color. That’s confusing, though. Another solution is to square all the values to get everything into positive territory. That’s okay for chemists like me because the peaks and nodes we care about stay in the same places. What’s the third option?”

“One that gets to why these ‘harmonic thingies’ are interesting at all. When Juno‘s orbiting Jupiter, does it feel each of Kaspi’s Jn shapes individually?”

“No, of course not, she just reacts to how they all add togethherrr … Oh! So you’re saying we can handle negative values from one harmonic by adding it to another one that’s more positive and plotting the combination.”

<pointing to paper napkin> “Bingo! Remember this linear plot of J2 where I colored its negative section pink?” <pointing to display on Old Reliable> “When you multiply J2 by C0 you get S220. I added that to four helpings of Sn00 to get this combination.”

“Ah, that negative region in S220‘s middle shaves back the equator on Sn00‘s sphere while the positive part adds bumps top and bottom.” <Susan gives me the side‑eye> “Why’d you pick that 4‑to‑1 ratio, and what’s with those n subscripts instead of numbers?”

“Getting a little ahead of myself. For the moment let’s concentrate on Juno‘s experience with Jupiter’s gravity. One reason I chose that ratio was that it’s pretty easy to see in the picture. In real cases the physical system determines the ratios. Kaspi’s team derived their ratios experimentally. They used math to fit a model to Juno‘s very slightly wobbly orbit. Their model of Jupiter’s gravity field started from the spherical J0 shape. They tweaked that by adding different ratios of J2 through J40, adjusting the ratios until the model’s total gravity field predicted an orbit that matched the real‑world one. J2‘s share was about 15 parts per thousand but most of the rest contributed less than a part per million. Jupiter probably uses multiple mass blobs to make the J2 shape. The point is, the planet’s really a mess but we can analyze the mess in terms of the harmonics.”

“So that’s how you drew what Cal called your wiggle-waggles — you followed Kaski’s Jn recipe and then added some constant to push the polar plot out far enough that the negatives didn’t poke out the wrong side. That constant — what value did you use and why that one?”

“That’s exactly what I did do, Cathleen. Frankly, I don’t even remember what constant I added, just something that was big enough to make the negatives behave nicely, not so large that the peaks vanished by comparison. Calibrating accurately to Jupiter’s J0 would shrink the peaks down to parts‑per‑thousand invisibility. After all, I was more concerned with peak position than peak size.”

“Now we’re back to your 4‑to‑1 ratio. Was that arbitrary, too?”

“No, it wasn’t, Susan. Would it have been closer to Chemistry if I’d labeled that figure as 1s22s22p1?”

“Two electrons in the 1s‑shell, two in the 2s‑shell plus one 2p electron … that’s a boron atom? But you’re showing only one radial shell, not two separate ones.”

“True, but that’s to make another point. There isn’t an electron in the 1s shell, or even a pair of them nicely staying on opposite sides. The atom’s charge, all five electrons‑worth of it, is smeared out as a wave pattern across the entire structure. The Sn00 pattern captures everything that’s spherical. The S220 pattern gets what’s left.”

“But what about the radial nodes? Isn’t that the difference between 1s and 2s, that 2s has a node?”

“Oh there are nodes, alright, but they don’t have much effect. Each radial harmonic is the product of two factors — a polynomial and an exponential. The exponential part squeezes the polynomial so hard that adjacent peaks and valleys are barely bumps and dents.”

“So Jupiter and atoms use the same math, huh?”

“So does the Sun.”

~~ Rich Olcott

Shapes And Numbers

I’m nursing my usual mug of eye‑opener in Cal’s Coffee Shop when astronomer Cathleen and chemist Susan chatter in and head for my table. Susan fires the first volley.

“Sy, those spherical harmonics you’ve posted don’t look anything like the atomic orbitals in my Chem text. Shouldn’t they?”
 ”How do you add and multiply shapes together?”
  ”What does the result even mean?”
   ”And what was that about solar seismology?”

“Whoa, have you guys taken interrogation lessons from Mr Feder? One at a time, please. Let’s start with the basics.” <sketching on a paper napkin> “For example, the J2 zonal harmonic depends only on the latitude, not on the longitude or the distance from the center, so whatever it does encircles the axis. Starting at the north pole and swinging down to the south pole, the blue line shows how J2 varies from 1.0 down to some negative decimal. At any latitude, whatever else is going on will be multiplied by the local value of J2.”

“The maximum is 1.0, huh? Something multiplied by a number less than 1 becomes even smaller. But what happens where J2 is zero? Or goes negative?”

“Wherever Jn‘s zero you’re multiplying by zero which makes that location a node. Furthermore, the zero extends along its latitude all around the sphere so the node’s a ring. J2‘s negative value range does just what you’d expect it to — multiply by the magnitude but flip the product’s sign. No real problem with that, but can you see the problem in drawing a polar graph of it?”

“Sure. The radius in a polar graph starts from zero at the center. A negative radius wouldn’t make sense mixed in with positives in the opposite direction.”

“Well it can, Cathleen, but you need to label it properly, make the negative region a different color or something. There are other ways to handle the problem. The most common is to square everything.” <another paper napkin> “That makes all the values positive.”

“But squaring a magnitude less than 1 makes it an even smaller multiplier.”

“That does distort the shapes a bit but it has absolutely no effect on where the nodes are. ’Nothin’ times nothin’ is nothin’,’ like the song says. Many of the Chem text orbital illustrations I’ve seen emphasize the peaks and nodes. That’s exactly what you’d get from a square‑everything approach. Makes sense in a quantum context, because the squared functions model electron charge distributions.”

“Thanks for the nod, Sy. We chemists care about charge peaks and nodes around atoms because they control molecular structures. Chemical bonds and reactions tend to localize near those places.”

“I aim for fairness, Susan. There is another way to handle a negative radius but it needs more context to look reasonable. Meanwhile, we’ve established that at any given latitude each Jn is just a number so let’s look at longitudes.” <a third paper napkin> “Here’s the first two sectorial harmonics plotted out in linear coordinates.”

“Looks familiar.”

“Mm‑hm. Similar principles, except that we’re looking at a full circle and the value at 360° must match the value at 0°. That’s why Cm always has an even node count — with an odd number you’d have -1 facing +1 and that’s not stable. In polar coordinates,” <the fourth paper napkin> “it’s like you’re looking down at the north pole. C0 says ‘no directional dependence,’ but C1 plays favorites. By the way, see how C1‘s negative radii in the 90°‑270° range flip direction to cover up the positives?”

“Ah, I see where you’re going, Sy. Each of these harmonics has a numeric value at each angle around the center. You’re going to tell us that we can multiply the shapes by multiplying their values point by point, one for each latitude for a J and each longitude for a C.”

“You’re way ahead of me as usual, Cathleen. You with us, Susan?”

“Oh, yes. In my head I multiplied your J2 by C0 and got a pz orbital.”

“I’m impressed.”
 ”Me, too.”

“Oh, I didn’t do it numerically. I just followed the nodes. J2 has two latitude nodes, C0 has no longitude nodes. There it is, easy‑peasy.”

~~ Rich Olcott

Screaming Out Of Space

Cal (formerly known as Al) comes over to our table in his coffee shop. “Lessee if I got this right. Cathleen is smug twice. First time because the new results from Juno‘s data say her hunch is right that Jupiter’s atmosphere moves like cylinders inside each other. Nearly cylinders, anyhow. Second smug because Sy used the Juno data to draw a math picture he says shows the Great Red Spot but I’m lookin’ at it and I don’t see how your wiggle‑waggles show a Spot. That’s a weird map, so why’re you smug about it, Cathleen?”

“The map’s weird because it’s abstract and way different from the maps you’re used to. It’s also weird because of how the data was collected. Sy, you tell him about the arcs.”

“Okay. Umm… Cal, the maps you’re familiar with are two‑dimensional. City maps show you north‑south and east‑west, that’s one dimension for each direction pair. Maps for bigger‑scale territories use latitude for north‑south and longitude for east‑west but the principle’s the same. The Kaspi group’s calculations from Juno‘s orbit data give us a recipe for only a one‑dimensional map. They show how Jupiter’s gravity varies by latitude, nothing about longitude. We could plot that as a rectangle, latitude along the x‑axis, relative strength along the y‑axis. I thought I’d learn more by wrapping the x‑axis around the planet so we could look for correlations with Jupiter’s geography. I found something and that’s why Cathleen’s smug. Me, too.”

“Why latitude but nothing about longitude?”

“Because of the way Juno‘s orbit works. The spacecraft’s not hovering over the planet or even circling it like the ISS circles Earth. NASA wanted to minimize Juno‘s exposure to Jupiter’s intense magnetic and radiation fields. The craft spends most of its 53‑day orbit at extreme distance, up to millions of kilometers out. When it approaches, it screams in at about 41 kilometers per second, that’s 91 700 mph, on a mostly north‑to‑south vector so it sees all latitudes from a few thousand kilometers above the cloud‑tops. Close approach lasts only about three hours, for the whole planet, and then the thing is on its way out again. During that three hours, the planet rotates about 120° underneath Juno so we don’t have a straight vertical N‑S pass down the planet’s face. Gathering useful longitude data’s going to take a lot more orbits.”

“So you’re sayin’ Juno felt gravity glitches at all different angles going pole to pole, but only some of the angles going round and round.”

“Exactly.”

“So now explain the wiggle‑waggles.”

“They represent parts‑per‑million variations in the field pulling Juno towards Jupiter at each latitude. Where the craft is over a more massive region it’s pulled a bit inwards and Sy’s map shows that as a green bump. Over a lighter region Juno‘s free to move outward a little and the map shows a pink dip. Kaspi and company interpret the heaviness just north of the equator to be a dense inward flow of gas all around the planet. Maybe it is. Sy and I think the pink droplet south of the equator could reflect the Great Red Spot lowering the average mass at its latitude. Maybe it is. As always, we need more data, okay? Now I’ve got questions for you, Sy.”

“Shoot.”

“You built your map by multiplying each Jn‑shape by its Kaspi gravitational intensity then adding the multiplied shapes together. But you only used Jn‑shapes with integer names. Is there a J½?”

“Some mathematicians play with fractional J‑thingies but I’ve not followed that topic.”

“Understandable. Next question — the J‘s look so much like sine waves. Why not just use sine‑shapes?”

“I used Jn‑shapes because that’s how Kaspi’s group stated their results. They had no choice in the matter. Jn‑shapes naturally appear in spherical system math. The nice thing about Jn‑shapes is that n provides a sort of wavelength scale. For instance, J35 divides Jupiter’s pole‑to‑pole arc into 36 segments each as wide as Earth’s diameter. Here’s a plot of intensity against n.”

Adapted from Kaspi, Figure 2a

“Left to right, red light to blue.”

“Exactly.”

~ Rich Olcott

Zoning Out over Jupiter

I’m nursing my usual mug of eye‑opener in Cal’s Coffee Shop when astronomer Cathleen and chemist Susan chatter in. “Morning, ladies. Cathleen, prepare to be even more smug.”

“Ooo, what should I be smug about?”

Your Jupiter suggestion. Grab some coffee and a couple of chairs.” <screen‑tapping on Old Reliable> “Ready? First step — purple and violet. You’ll never see violet or purple light coming from a standard video screen.”

“He’s going spectrum‑y on us, right, Cathleen?”

“More like anti‑spectrum‑y, Susan. Purple light doesn’t exist in the spectrum. We only perceive that color when we see red mixed with blue like that second band on Sy’s display. Violet light is a thing in nature, we can see it in flowers and dyes and rainbows beyond blue. Standard screens can’t show violet because their LEDs just emit red, blue and green wavelengths. Old Reliable uses mixtures of those three to fake all its colors. Where are you going with this, Sy?””

“Deeper into Physics. Cast your eyes upon the squiggles to the right. The one in the middle represents the lightwave coming from purple‑in‑the‑middle. The waveform’s jaggedy, but if you compare peaks and troughs you can see its shape is the sum of the red and blue shapes. I scaled the graphs up from 700 nanometers for red and 450 for blue.”

“Straightforward spectroscopy, Sy, Fourier analysis of a complicated linear waveform. Some astronomers make their living using that principle. So do audio engineers and lots of other people.”

“Patience, Cathleen, I’m going beyond linear. Fourier’s work applies to variation along a line. Legendre and Poisson extended the analysis to—”

“Aah, spherical harmonics! I remember them from Physical Chemistry class. They’re what gives shapes to atoms. They’ve got electron shells arranged around the nucleus. Electron charge stays as close to the nucleus as quantum will let it. Atoms absorb light energy by moving charge away from there. If the atom’s in a magnetic field or near other atoms that gives it a z-axis direction then the shells split into wavey lumps going to the poles and different directions and that’s your p-, d– and f-orbitals. Bigger shells have more room and they make weird forms but only the transition metals care about that.”

The angular portion of the lowest-energy spherical harmonics
Credit: Inigo.quilez, under CCA SA 3.0 license

“Considering you left out all the math, Susan, that’s a reasonable summary. I prefer to think of spherical harmonics as combinations of wave shapes at right angles. Imagine a spherical blob of water floating in space. If you tap it on top, waves ripple down to the bottom and back up again and maybe back down again. Those are zonal waves. A zonal harmonic averages over all E‑W longitudes at each N‑S latitude. Or you could stroke the blob on the side and set up a sectorial wave pattern that averages latitudes.”

“How about center‑out radial waves?”

“Susan’s shells do that job. My point was going to be that what sine waves do for characterizing linear things like sound and light, spherical harmonics do for central‑force systems. We describe charge in atoms, yes, but also sound coming from an explosion, heat circulating in a star, gravity shaping a planet. Specifically, Jupiter. Kaspi’s paper you gave me, Cathleen, I read it all the way to the Results table at the tail end. That was the rabbit‑hole.”

“Oh? What’s in the table?”

“Jupiter’s zonal harmonics — J‑names in the first column, J‑intensities in the second. Jn‘s shape resembles a sine wave and has n zeroes. Jupiter’s never‑zero central field is J0. Jn increases or decreases J0‘s strength wherever it’s non‑zero. For Jupiter that’s mostly by parts per million. What’s cool is the pattern you see when you total the dominating Jeven contributions.”

Data from Kaspi, et al.

Cathleen’s squinting in thought. “Hmm… green zone A would be excess gravity from Jupiter’s equatorial bulge. B‘s excess is right where Kaspi proposed the heavy downflow. Ah‑HAH! C‘s pink deficit zone’s right on top of the Great Red Spot’s buoyant updraft. Perfect! Okay, I’m smug.”

~ Rich Olcott

Revising The Model

Cathleen’s perched at a table in Cal’s Coffee Shop, sipping a latte and looking smug. “Hi, Sy.”

“Hi, yourself. Did somebody you don’t like get a well‑deserved comeuppance?”

“Nothing that juicy. Just an old hunch that’s gotten some strong new supporting evidence. I love it when that happens.”

“So what’s the hunch and what’s the evidence?”

“You’ve already heard the hunch.” <dialing up an image on her phone> “Remember this sketch?”

“Hmmm, yeah, you and Vinnie were debating Jupiter’s atmosphere. Its massive airflows could self‑organize as an oniony nest of concentric spherical shells, or maybe concentric cylinders like that picture on your phone. Later on Vinnie thought up a more dynamic option — cylindrical shells encasing sets of smaller tornados like roller bearings. You shot that one down, right?”

“Mostly. I did admit something like that might work at the poles. Anyway, I’ve liked the concentric cylinders model for quite a while. This paper I just read says I’m almost but not quite right. Kaspi and company’s data says the cylinders are cone sections, not cylinders, and they’re not north‑south symmetrical.” <dialing up another image> “It’s like this except I’ve exaggerated the angles.”

“Doesn’t look all that different to me. Congratulations on the near‑win. What’s the new model based on? Did Juno drop another probe into the atmosphere?”

“Nope. Remote sensing, down as far as 3000 kilometers.”

“I thought Jupiter’s cloud decks blocked infrared.”

“Another nope. Not infrared sensing, gravity.”

“Didn’t know Juno carried a gravimeter.”

“It doesn’t, that’d be way too heavy and complex. Juno itself was the remote sensor. Whenever NASA’s Deep Space Network captured a data transmission from Juno, they also recorded the incoming radio signal’s precise frequency. Juno‘s sending frequency is a known quantity. Red‑shifts and blue‑shifts as received told us Juno‘s then‑current velocity relative to Earth. The shifts are in the parts‑per‑million range, tiny, but each speed‑up or slow‑down carries information about Jupiter’s gravitational field at that point in Juno‘s orbit. Given velocity data for enough points along enough orbits, you can build a gravity atlas. This paper reports what the researchers got from orbits 1 through 37.”

“Cute idea. They’ve built the atlas, I suppose, but what can gravity say about your wind cylinders?”

“Winds in Jupiter’s atmosphere are driven by heat rising from the core. Put a balloon 3000 kilometers down. Heated air inside the balloon expands. That has two effects. One, the balloon is less dense than its surroundings so it rises. Two, the work of expanding against outside pressure drains thermal energy and cools the balloon’s air molecules. The process continues until the balloon gets up to where its temperature and pressure match what’s outside, right?”

“Which is probably going to be well above 3000 kilometers. Hmm… if you’ve got lots of balloons doing that, as they fly upward they leave a vacuum sort of. Excess balloons up top will be pulled downward to fill the void.”

“Now organize all those balloons in a couple of columns, one going up and one down. Will they have equal mass?”

“Interesting. No, they won’t. The rising column rises because it’s less dense than its surroundings and the falling column falls because it’s more dense. More mass per unit volume in the falling column so that’s heavier.”

“Eighteenth Century Physics. Planetary rotation forces columns of each kind to merge into a nest of separate cones. Rising‑column warm cones support Jupiter’s white ammonia‑ice zones. Falling‑column cool cones disclose red‑brown belts. The gravity field is stronger above the dense falling regions, weaker over the light rising ones. Juno responded to gravity’s wobbles; the researchers built their models to fit Juno‘s wobbles. The best models aren’t quite concentric cylinders, because the cones tilt poleward. This graphic tells the story. The rectangle shows a 3000‑kilometer vertical section. The between-shell boundaries are effective — the paper specifically says that mass transport inward from the outermost shell is insignificant.”

“You said the data’s asymmetric?”

“Yep. The strongest part of the gravitational signal came from flow angling down and equator‑ward, 21°N to 13°N.”

“Why’s that?”

“Maybe the Great Red Spot down south drives everything northward. We don’t know.”

~ Rich Olcott

A Disk of Heat And Violence

Susan suddenly sits bolt upright. “WOW! Kareem, that Chicxulub meteor that killed off the dinosaurs — paleontologists found iridium from it all over the world, right?”

“Right, the famous K‑T or K‑Pg boundary So?”

“It’d take a lot of iridium to cover the world. Iridium’s deep in the Periodic Table’s Soft Siderophile territory. Iron’s Soft. When Earth was molten, iron would extract and concentrate iridium. That’s why there’s so little iridium in Earth’s crust ’cause it’s all gone to the core. That iridium‑carrying meteorite must have been the iron kind.”

“Probably.”

Vinnie guffaws. “HAW! Earth’s Hard and crunchy on the outside, Soft and chewy in the inside, just like a good cookie.”

“Or an armored knight, from the dragon’s viewpoint. But how did Earth get that way, Cathleen?”

“Long story, Sy. The academics are still arguing about the details.”

“I love a good story, especially if it ends up explaining asteroid Psyche.”

“It starts 4½ billion years ago, when the Solar System was a rotating disk of galactic debris, clouds of hydrogen plus heavier dust and grit spewed out by energetic stars. Some of the atoms in that grit were important, right, Kareem?”

“Yup. Iron and nickel for planetary cores, silicon and oxygen for the crusts, radioactive isotopes of potassium, uranium and thorium but especially the short‑lived radioactives like aluminum‑26. Half‑life for that one’s only a million years.”

Al, Eddie and Vinnie erupt.
 ”If the short‑timers are gone, how come you say they were important?”
  ”How do we know they were even there?”
   ”If it’s such a short‑timer, is that stuff even a thing any more?”

Kareem’s not used to such a barrage but Cathleen’s a seasoned teacher. “Aluminum‑26 definitely is still a thing, because it’s continually produced by cosmic rays colliding with silicon atoms that aren’t too deeply buried. The production rate is so steady that Kareem’s colleagues estimate how long a meteorite was exposed to cosmic rays from its load of aluminum‑26 decay products compared to its related stable isotopes. We know aluminum‑26 was in the early debris because we’ve found its decay products on Earth. We even know how much — about 50 atoms per million stable aluminum atoms.”

Kareem regains his footing. “As to why it’s important, molten silicate droplets in the early system became chondrules when they aggregated to form chondritic meteorites. The droplets couldn’t have stayed that hot just from nuclear fission by their long‑lived radioactives. The short‑timers, especially aluminum‑26, must have supplied the extra heat early on. If short‑timers could keep the droplets molten, they certainly could have kept the newly‑forming planets molten for a while. Being fluid’s important because that’s the only state where Susan’s Hard‑Soft phase separation can happen.”

Cathleen nods. “The radioactives were just part of the story, though. The early system was a chaotic place. Forget notions of everything smoothly whirling around like the rings of Saturn. Except for the biggest objects, the idea of an orbit was just silly. Each object was gravitationally influenced by beaucoodles of other objects of all sizes that didn’t even all go in the same direction. There was crashing, lots of crashing. Every smash‑up converted kinetic energy to heat, lots of heat. Each collision could generate fragments which would cascade on to other collisions, maybe even become meteorites. Large objects would accumulate mass and heat energy in violent mergers with smaller objects. A protoplanet’s atom‑level Hard‑Hard and Soft‑Soft interactions would have plenty of chemical opportunities to assemble cohesive masses rising or sinking through the liquid melt just because of buoyancy and there you’ve got your layers.”

“But collisions didn’t have to be violent, Cathleen. Fragments could hang together through gravity or surface stickiness. That’s how the Bennu and Ryugu rubble pile asteroids formed.”

“Good point, Kareem, and that brings us to Psyche. We know its density is higher than stone but less than iron. The asteroid could be part of a planetoid’s interior, surviving after violent collisions chipped away the surface rock. It could be a rubble pile of loose metallic bits. It could be a mix of metal and rock like the Museum’s pallasite slice. Or an armored shell. We just won’t know until the Psyche mission gets there.”

~~ Rich Olcott