Why No Purple?

<ding/ding/ding> <yawn> “Who’s texting me at this time of night?”

This better be good.

At this hour? Of course you did, Teena. What’s going on?

Well, I’m awake. What’s the question?

Whoa! That’s not really an either‑or proposition. Energy is continuous, but the energy differences that atoms/molecules respond to are stepwise. You get continuous white light from hot objects like stars and welding torches.
If white light passes a hydrogen atom, the atom will only absorb certain specific frequencies (frequency is a measure of energy).

Yes, except they don’t bounce off, they pass by.

Mostly, though the usual sequence read ‘upward’ in energy is radio, microwave, infrared, red, orange, yellow, green, blue, violet, ultraviolet, X-rays, gamma rays.
White is an even mixture of all frequencies.

Mmm?

Ah, what you’re really looking at is variation in fuel/air mixture (and possibly which fuel — I’ll get to that).
A rich methane mixture (not much oxygen, like a shuttered Bunsen burner) doesn’t get very hot, has lots of unburnt carbon particles and looks orange. Add more oxygen and the flame gets hotter, no more soot particles, just isolated CO, CO2, and water molecules, each of which gets excited to flame temp and then radiates light but only at its own characteristic frequencies. Switch to acetylene fuel and the flame gets hotter still because C2H2+O2 reactions give off more energy per molecule than CH4+O2. Now you’re in plasma temperature range, where free electrons can emit whatever frequency they feel like.

Sunsets are a whole other thing — the sun’s white light is transformed in various ways as it filters through dust and such in the atmosphere. Anyway, no flame or atom/molecule excitation in a sunset

Yes, but in each of these cases the *source* is different — soot particles, excited molecules, plasma.

The campfire has several different processes going on. Close in, the heated wood emits various gases. The gases reacting with O2 *are* the flame, generally orange to yellow from excited molecules but you can get blue where the local ventilation forms a jet and brings in extra oxygen for an efficient flame. Further out it’s back to red-hot soot.

To your original question — this is a hypothesis, but I suspect the particular atoms and molecules emitted from untreated burning wood simply don’t have any strong emissions lines in the green region. I know there aren’t for any hydrogen atoms — look up “Balmer series” in wikipedia.

*spectra
Right.
As you said, you could throw in copper or sodium salts to get those blue and golden colors.

G’night, Teena.
Now get to bed.

~ Rich Olcott

  • Thanks to Alex, who wrote much of this.

A No-Charge Transaction

I ain’t done yet, Sy. I got another reason for Dark Matter being made of faster‑then‑light tachyons.”

“I’m still listening, Vinnie.”

“Dark Matter gotta be electrically neutral, right, otherwise it’d do stuff with light and that doesn’t happen. I say tachyons gotta be neutral.”

“Why so?”

“Stands to reason. Suppose tachyons started off as charged particles. The electric force pushes and pulls on charges hugely stronger than gravity pulls—”

“1036 times stronger at any given distance.”

“Yeah, so right off the bat charged tachyons either pair up real quick or they fly away from the slower‑than‑light bradyon neighborhood leaving only neutral tachyons behind for us bradyon slowpokes to look at.”

“But we’ve got un‑neutral bradyon matter all around us — electrons trapped in Earth’s Van Allen Belt and Jupiter’s radiation belts, for example, and positive and negative plasma ions in the solar wind. Couldn’t your neutral tachyons get ionized?”

“Probably not much. Remember, tachyon particles whiz past each other too fast to collect into a star and do fusion stuff so there’s nobody to generate tachyonic super‑high‑energy radiation that makes tachyon ions. No ionized winds either. If a neutral tachyon collides with even a high-energy bradyon, the tachyon carries so much kinetic energy that the bradyon takes the damage rather than ionize the tachyon. Dark Matter and neutral tachyons both don’t do electromagnetic stuff so Dark Matter’s made of tachyons.”

“Ingenious, but you missed something way back in your initial assumptions.”

“Which assumption? Show me.”

“You assumed that tachyon mass works the same way that bradyon mass does. The math says it doesn’t.” <grabbing scratch paper for scribbling> “Whoa, don’t panic, just two simple equations. The first relates an object’s total energy E to its rest mass m and its momentum p and lightspeed c.”

E² = (mc²)² + (pc)²

“I recognize the mc² part, that’s from Einstein’s Equation, but what’s the second piece and why square everything again?”

“The keyword is rest mass.”

“Geez, it’s frames again?”

“Mm‑hm. The (mc²)² term is about mass‑energy strictly within the object’s own inertial frame where its momentum is zero. Einstein’s famous E=mc² covers that special case. The (pc)² term is about the object’s kinetic energy relative to some other‑frame observer with relative momentum p. When kinetic energy is comparable to rest‑mass energy you’re in relativity territory and can’t just add the two together. The sum‑of‑squares form makes the arithmetic work when two observers compare notes. Can I go on?”

“I’m still waitin’ to hear about tachyons.”

“Almost there. If we start with that equation, expand momentum as mass times velocity and re‑arrange a little, you get this formula

E = mc² / √(1 – v²/c²)

The numerator is rest‑mass energy. The v²/c² measures relative kinetic energy. The Lorentz factor down in the denominator accounts for that. See, when velocity is zero the factor is 1.0 and you’ve got Einstein’s special case.”

“Give me a minute. … Okay. But when the velocity gets up to lightspeed the E number gets weird.”

“Which is why c is the upper threshold for bradyons. As the velocity relative to an observer approaches c, the Lorentz factor approaches zero, the fraction goes to infinity and so does the object’s energy that the observer measures.”

“Okay, here’s where the tachyons come in ’cause their v is bigger than c. … Wait, now the equation’s got the square root of a negative number. You can’t do that! What does that even mean?”

“It’s legal, when you’re careful, but interpretation gets tricky. A tachyon’s Lorentz factor contains √(–1) which makes it an imaginary number. However, we know that the calculated energy has to be a real number. That can only be true if the tachyon’s mass is also an imaginary number, because i/i=1.”

“What makes imaginary energy worse than imaginary mass?”

“Because energy’s always conserved. Real energy stays that way. Imaginary mass makes no sense in Newton’s physics but in quantum theory imaginary mass is simply unstable like a pencil balanced on its point. The least little jiggle and the tachyon shatters into real particles with real kinetic energy to burn. Tachyons disintegrating may have powered the Universe’s cosmic inflation right after the Big Bang — but they’re all gone now.”

“Another lovely theory shot down.”

~ Rich Olcott

The Beaming Beacon

“So, Vinnie, that first article’s bogus. Blobs in M87’s supermassive black hole’s jet don’t travel faster than light. Your second article — is it also about M87*?”

“Yeah, Cathleen. It’s got this picture which a while ago Sy explained looks like a wrung‑out towel because that’s the way the thing’s magnetic field forces electrons to line up and give off polarized light.”

“As always, Vinnie, your memory impresses.”

“Thanks, I work at it. Anyhow, this one‑paragraph article says they figured out from the picture that everything’s spinning around as fast as it’s possible to spin. How fast is that, and how’d they get the spin speed if they only used one frequency so redshift/blueshift doesn’t apply?”

Cathleen’s been poking at her tablet. “HAH! Found the real paper behind your pop‑sci article, Vinnie. Give me a minute…” <pause, with mumbling> “Wow, not much there in the disk. They estimate even at the crowded innermost orbit, they call it ISCO, the density’s about 10-14 kg/m3 which would be one nanopascal of pressure. Most labs consider that ultrahigh vacuum. They get angular momentum from something called ‘Doppler beaming’, which I’m not familiar with.” <passes tablet to me> “Your turn, Sy.”

“ISCO’s the Innermost Stable Circular Orbit. ISCO’s radius depends on the black hole’s mass and spin.” <pause, with mumbling> “Doppler beaming’s a velocity‑dependent brightness shift from outbound to inbound sides of ISCO. They connected brightness range within the images to ISCO velocity, multiplied that by ISCO radius and the black hole’s mass to get the disk’s angular momentum, J. The lightspeed rotation angular momentum Jmax comes from theory. The paper puts a number to M87*’s J/Jmax.

“My article says it’s near 100%.”

“That’s not what the paper says, Vinnie. ‘…our value of 0.8 would appear to be a lower limit,’ in other words, something above 80% but definitely not 100%. Like I said, pop‑sci journalism. So what’s Doppler beaming, Sy?”

“Classical Doppler shifts happen when a wave source moves relative to us. Motion toward us crams successive wave peaks into decreasing distance. Motion away increases wavelength. The same principle applies to light waves, sound waves, even ocean waves.”

“Blueshifting.”

“Mm‑hm. By contrast, beaming is about how a source’s motion affects the photon count we receive per second. Imagine a beacon steadily sending us photons as it whips at near‑lightspeed around M87*. When the beacon screams towards us its motion crams more photons into one of our seconds than when it dashes away.”

“More blueshifting.”

“Not quite. Photon‑count compression sort‑of resembles the blueshifting process but wavelength isn’t relevant. It combines with the other part of beaming, Special Relativity space compression, which concentrates a moving beacon’s photons in the direction of motion. It’s like focusing a fancy flashlight, narrowing the beam to concentrate it. The faster the beacon travels in our direction, the greater proportion of its photons are sent towards us.”

Vinnie looks up and to the left. “If ISCO’s going near lightspeed, won’t the disk’s inertia drag on the black hole?”

“Sure, within limits. M87* and Sagittarius-A* both have magnetic fields; most black holes probably do. Accretion disk plasma must be frozen into the field. The whole structure would rotate like a spongy wheel with a fuzzy boundary. The lightspeed limit could cut in at the wheel’s rim, much farther out than the Event Horizon’s sphere.”

Count on Vinnie to jump on vagueness. “Spongy? Fuzzy?”

“Because nothing about a black hole’s extended architecture is rigid. It’s a messy mix of gravitational, electric and magnetic fields, all randomly agitated by transients from inbound chunks of matter and feeding outbursts from inside ISCO. The disk’s outer boundary is the raggedy region where the forces finally give way as centrifugal force works to fling particles out into the Universe. I don’t know how to calculate where the boundary is, but this image suggests it’s out about 10 times the Horizon’s radius. The question is, how does the boundary’s speed limit affect spin?” <tapping rapidly on Old Reliable’s screen>

“And the answer is…?”

“Disk particles driven close to lightspeed do push back. They lightly scramble those mushy fields but much too feebly to slow the central spin.”

~ Rich Olcott

Why Physics Is Complex

“I guess I’m not surprised, Sy.”

“At what, Vinnie?”

“That quantum uses these imaginary numbers — sorry, you’d prefer we call them i‑numbers.”

“Makes no difference to me, Vinnie. Descartes’ pejorative term has been around for three centuries so that’s what the literature uses. It’s just that most people pick up the basic idea more quickly without the woo baggage that the real/imaginary nomenclature carries along. So, yes, it’s true that both i‑numbers and quantum mechanics appear mystical, but really quantum mechanics is the weird one. And relativity.”

“Wait, relativity too? That’s hard to imagine, HAW!”

“Were you in the room for Jim’s Open Mic session where he talked about Minkowski’s geometry?”

“Nope, missed that.”

“Ah, okay. Do you remember the formula for the diagonal of a rectangle?”

“That’d be the hypotenuse formula, c²=a²+b². Told you I was good at Geometry.”

“Let’s use ‘d‘ for distance, because we’re going to need ‘c‘ for the speed of light. While we’re at it, let’s replace your ‘a and ‘b‘ with ‘x‘ and ‘y,’ okay?”

“Sure, why not?”

<casting image onto office monitor> “So the formula for the body diagonal of this box is…”

“Umm … That blue line across the bottom’s still √(x²+y²) and it’s part of another right triangle. d‘s gotta be the square root of x²+y²+z².”

“Great. Now for a fourth dimension, time, so call it ‘t.’ Say we’re going for light’s path between A at one moment and B some time t later.”

“Easy. Square root of x²+y²+z²+t².”

“That’s almost a good answer.”

“Almost?”

“The x, y and z are distance but t is a duration. The units are different so you can’t just add the numbers together. It’d be like adding apples to bicycles.”

“Distance is time times speed, so we multiply time by lightspeed to make distance traveled. The formula’s x²+y²+z²+(ct)². Better?”

“In Euclid’s or Newton’s world that’d be just fine. Not so much in our Universe where Einstein’s General Relativity sets the rules. Einstein or Minkowski, no‑one knows which one, realized that time is fundamentally perpendicular to space so it works by i‑numbers. You need to multiply t by ic.”

“But i²=–1 so that makes the formula x²+y²+z²–(ct)².”

“Which is Minkowski’s ‘interval between an event at A and another event at B. Can’t do relativity work without using intervals and complex numbers.”

“Well that’s nice but we started talking about quantum. Where do your i‑numbers come into play there?”

“It goes back to the wave equation— no, I know you hate equations. Visualize an ocean wave and think about describing its surface curvature.”

“Curvature?”

“How abruptly the slope changes. If the surface is flat the slope is zero everywhere and the curvature is zero. Up near the peak the slope changes drastically within a short distance and we say the surface is highly curved. With me?”

“So far.”

“Good. Now, visualize the wave moving past you at some convenient speed. Does it make sense that the slope change per unit time is proportional to the curvature?”

“The pointier the wave segment, the faster its slope has to change. Yeah, makes sense.”

“Which is what the classical wave equation says — ‘time‑change is proportional to space‑change’. The quantum wave equation is fundamental to QM and has exactly the same form, except there’s an i in the proportionality constant and that changes how the waves work.” <casting a video> “The equation’s general solution has a complex exponential factor eix. At any point its value is a single complex number with two components. From the x‑direction, the circle looks like a sine wave. From the i‑direction it also looks like a sine wave, but out of phase with the x‑wave, okay?”

“Out of phase?”

“When one wave peaks, the other’s at zero and vice‑versa. The point is, rotation’s built into the quantum waves because of that i‑component.” <another video> “Here’s a lovely example — that black dot emits a photon that twists and releases the electromagnetic field as it moves along.”

~ Rich Olcott

Footprints in The Glasses

I think he sometimes lies in wait for me like a cheetah crouching to ambush prey. No, more like a frog. Today I’m on my daily walk when suddenly — “Hey Moire, I got questions!”

Yeah, more like a frog. “Morning, Mr Feder. Out early today, aren’t you?”

“It’s gonna be hot today so I figured you’d walk the park early. I like it down here by the lake.”

Yup, definitely a frog. “Well, what can I do for you?”

“I’m wearing these new glasses, okay?”

“I can see that. Very … stylish.”

“So I read what you wrote about how light slows down when it goes through stuff and I wonder, does the light slow down enough going through these glasses that I might not see a bus in time? And how does stuff slow down light anyway?”

<drawing Old Reliable from its holster> “That first question is quantitative so let’s gather the numbers. The speed of light in vacuum is about 186 000 miles per second, that’s 300 megameters per second or 300 millimeters per nanosecond. Metric system conversions are kinda fun, aren’t they?”

“Hang on — megameters per second is meters per microsecond, take it down another thousand top and bottom…. I guess that’s okay.”

“Old Reliable doesn’t lie. Alright, your eyeglass lenses look like they’re a couple of millimeters thick. I’ll call it three millimeters to make the numbers pretty. If your lenses were vacuum space a short light pulse would pass through in 0.01 nanosecond, okay?”

“Not that thick, but go on.”

“The slow‑down factor is technically called the refractive index. Old Reliable says that eyeglass refractive indexes typically run about 1.5 so with the slow‑down our light pulse would take 0.015 nanosecond instead of 0.01. Is that enough increase to affect your rection time significantly? Let’s see … Says here that a typical nerve impulse travels at about 50 meters per second. Keeping the numbers pretty I’ll guess that between your eye and the vision centers in the back of your brain is about 2 inches or 5 centimeters. You good with that?”

“Not that short, but anything for pretty numbers. Go on.”

“Five centimeters is 0.05 meters, at 50 meters per second comes to 0.001 second. Slowing down that pulse lengthens your reaction time from 0.001 second to 0.001 000 000 015 second. Not enough of a difference to worry about.”

“But how come it slows at all seeing as I’ve heard it’s mostly empty space between the atoms?”

“There’s empty and there’s empty. You’re thinking of little solar‑system atoms, aren’t you, with particle electrons orbiting the nucleus and what space is left is vacuum. We’ve known for a century that it’s not that way. The electrons aren’t particles, they’re fuzzy blobs, and the volume around them is chock full of lumpy electric field. The incoming lightwave, really an electromagnetic wave, doesn’t see one electron here and another one way over there and free passage in between. Nope, it interacts with the whole field and that’s where the slow‑down happens.”

“Lots of quantum jumps and like that, huh?”

“No quantum jumps unless your glasses are tinted. Mmm… You ever run along the seashore?”

“I’m from Jersey. Of course I have.”

 Time periodicity at a point,
 space periodicity at a moment.

“Visualize running across hard sand and suddenly you hit a patch of soft sand. You keep your feet oscillating up and down at the same rate, but you make less progress along the beach. Your footprints get closer together, right?”

“Sometimes I fall down. So?”

“Something similar happens with a lightwave. It repeats in time like your foot going up and down and it repeats in space like your footprints in the sand. The wave’s energy changes with repeat time. When light passes through an electric field like the one inside clear, colorless glass, the field doesn’t absorb energy — no change in repeat time. What does happen is the field squeezes the peak‑to‑peak distance. The wave acts like your footprints getting closer together. Less distance divided by the same time means lower speed. The wave slows down inside the glass.”

“Does light ever fall down?”

“Only if its energy quantum matches an absorber’s gap.”

~~ Rich Olcott

Time Is Where You Find It

A familiar footstep in the hall outside my office, “C’mon in, Vinnie, the door’s open.”

“Got a few minutes, Sy?”

More than just “a minute.” This sounds serious so I push my keyboard aside. “Sure, what’s up?”

“I’ve been thinking about different things, putting ’em together different ways. I came up with something, sorta, that I wanted to run past you before I brought it to one of Cathleen’s ‘Crazy Theories‘ parties.”

“Why, Vinnie, you’re being downright diffident. Spill it.”

“Well, it’s all fuzzy. First part goes way back to years ago when you wrote that there’s zero time between when a photon gets created and when it gets used up. But that means that create and use-up are simultaneous and that goes against Einstein’s ‘No simultaneity‘ thing which I wonder if you couldn’t get around it using time tick signals to sync up two space clocks.”

“That’s quite a mix and I see why you say it’s fuzzy. Would you be surprised if I used the word ‘frame‘ while clarifying it?”

“I’ve known you long enough it wouldn’t surprise me. Go ahead.”

“Let’s start with the synchronization idea. You’re not the first to come up with that suggestion. It can work, but only if the two clocks are flying in formation, exactly parallel course and speed.”

“Hah, that goes back to our first talk with the frame thing. You’re saying the clocks have to share the same frame like me and that other pilot.”

“Exactly. If the ships are zooming along in different inertial frames, each will measure time dilation in the other. How much depends on their relative velocities.”

“Wait, that was another conversation. We were pretending we’re in two spaceships like we’re talking about here and your clock ran slower than mine and my clock ran slower than yours which is weird. You explained it with equations but I’ve never been good with equations. You got a diagram?”

“Better than that, I’ve got a video. It flips back and forth between inertial frames for Enterprise and Voyager. We’ll pretend that they sync their clocks at the point where their tracks cross. I drew the Enterprise timeline vertical because Enterprise doesn’t move in space relative to Enterprise. The white dots are the pings it sends out every second. Meanwhile, Voyager is on a different course with its own timeline so its inertial frame is rotated relative to Enterprise‘s. The gray dots on Voyager‘s track show when that ship receives the Enterprise pings. On the Voyager timeline the pings arrive farther apart than they are on the Enterprise timeline so Voyager perceives that Enterprise is falling farther and farther behind.”

“Gimme a sec … so Voyager says Enterprise‘s timer is going slow, huh?”

“That’s it exactly. Now look at the rotated frame. The pink dots show when Voyager sends out its pings. The gray dots on Enterprise‘s track show when the pings arrive.”

“And Enterprise thinks that Voyager‘s clock is slow, just backwards of the other crew. OK, I see you can’t use sync pulses to match up clocks, but it’s still weird.”

“Which is where Lorentz and Minkowski and Einstein come into the picture. Their basic position was that physical events are real and there should be a way to measure them that doesn’t depend on an observer’s frame of reference. Minkowski’s ‘interval‘ metric qualifies. After converting time and location measurements to intervals, both crews would measure identical spacetime separations. Unfortunately, that wouldn’t help with clock synchronization because spacetime mixes time with space.”

“How about the photons?”

“Ah, that’s a misquotation. I didn’t say the time is zero, I said ‘proper time‘ and that’s different. An object’s proper time is measured by its clock in its inertial frame while traveling time t and distance d between two events. Anyone could measure t and d in their inertial frame. Minkowski’s interval is defined as s=[(ct)²‑d²]. Proper time is s/c. Intuitively I think of s/c as light’s travel time after it’s done traversing distance d. In space, photons always travel at lightspeed so their interval and proper time are always zero.”

“Photon create and use-up aren’t simultaneous then.”

“Only to photons.”

~~ Rich Olcott

Why I Never Know What Time It Is

It’s always fun watching Richard Feder (of Fort Lee, NJ) as he puts two and two together. He gets a gleam in his eye and one corner of his mouth twitches. On a good day with the wind behind him I’ve seen his total get as high as 6½. “I wanna get back to that ‘everybody has their own time‘ monkey‑business where if you’re moving fast your clock slows down. What about the stardates on Star Trek? Those guys go zooming through space at all different angles and speeds. How do they keep their calendars in synch?”

Trekkie and Astronomy fan Al takes the bait. “Artistic license, Mr Feder. The writers can make anything happen, subject to budgets and producer approval. The first Star Trek series, they just used random four‑digit numbers for stardates. That was OK because the network aired the episodes in random order anyway so no‑one cared about story arc continuity. Things were more formal on Captain Picard’s Enterprise, as you’d expect — five‑digit stardates, first digit always ‘4‘ for 24th Century, thousands digit was ‘1‘ for season one, ‘2‘ for season two and so on. Working up the other way, the digit right of the decimal point was tenths of a standard day, the units place counted days within an episode and the tens and hundreds they just picked random numbers.”

“I suppose that’s what they did, but how could they make it work? You guys yammer on about time dilation. Say a ship’s running at Warp Whoop‑de‑doo, relativity should slow its calendar to a crawl. You couldn’t get a whole fleet into battle position when some of the ships had to get started years ahead of time. And that’s just the dilation slow-down, travel time’s on top of that.”

“Travel time measured how, Mr Feder, and from where?”

“Well, there you go, Cathleen, that’s what I’m talking about!”

“You know that Arthur C Clarke quote, ‘Any sufficiently advanced technology is indistinguishable from magic‘? The Enterprise crew’s always communicating with ‘sub‑space radio’, which sure looks like magic to me. They could send sync pulses through there along with chatter. When you drop out of warp space, your clocks catch the pulses and sync up, I suppose.”

“There’s a deeper issue than that, guys.”

“What’s that, Sy?”

“You’re talking like universal time is a thing, which it isn’t. Hasn’t been since Einstein’s Special Relativity used Minkowski’s math to stir space and time together. General Relativity scrambles things even worse, especially close to a strong gravity center. You remember about gravity forcing spacetime to curve, right? The curvature inside a black hole’s event horizon gets so tight that time rotates toward the geometric center. No, I can’t imagine what that looks like, either. The net of it, though, is that a black hole is a funnel into its personal future. Nothing that happens inside one horizon can affect anything inside another one so different holes could even have different time rates. We’ve got something like 25000 or more stellar black holes scattered through the Milky Way, plus that big one in the center, and that’s just one galaxy out of billions. Lots of independent futures out there.”

“What about the past, Sy? I’d think the Big Bang would provide a firm zero for time going forward and it’s been one second per second since then.”

“Nup. Black holes are an extreme case. Any mass slows down time in its vicinity, the closer the slower. That multi‑galaxy gravitational lens that lets us see Earendel? It works because the parts of Earth‑bound light waves closest to the center of mass see more time dilation than the parts farther away and that bends the beam toward our line of sight.”

“Hey, that reminds me of prisms bending light waves.”

“Similar effect, Vinnie, but the geometry’s different. Prisms and conventional lenses change light paths abruptly at their surfaces. Gravitational lenses bend light incrementally along the entire path. Anyhow, time briefly hits light’s brakes wherever it’s near a galaxy cluster, galaxy or anything.”

“So a ship’s clock can fidget depending on what gravity it’s seen recently?”

“Mm-hm. Time does ripples on its ripples. ‘Universal Time‘ is an egregious example of terminology overreach.”

~~ Rich Olcott

A Thumbtack in A Needlestack

“What’re the odds?”

“Odds on what, Vinnie?”

“A gazillion galaxies out there, only 41 lensing galaxy clusters, but one of them shows us a singleton star. I mean, what’s special about that star? What are the odds?”

I can’t help it. “Astronomical, Vinnie.”

Cathleen punches my shoulder, hard. “Sy Moire, you be ashamed of yourself. That pun was ancient a century ago. Vinnie, the odds are better than they seem. We didn’t just stumble on Earendel and the Sunrise Arc, we found them in a highly targeted Big Data search for things just like that — objects whose light was extremely stretched and also gravitationally bent in our direction. The Arc’s lensing galaxy cluster has a spherical effect, more or less, so it also acts on light from other far-away objects and sends it in other directions. It even bends an image of our Milky Way towards Earendel’s galaxy.”

“I call weaseling — you used ‘more or less‘.”

“Guilty as charged, Vinnie. A nice, spherical black hole is the simplest case of gravitational lensing — just one mass at the center of its simple light‑bending gravity field. Same thing for a single star like our Sun. Clusters are messy. Tens or hundreds of billion‑star galaxies, scattered at random angles and random positions about their common center of mass. The combined gravity field is lumpy, to say the least. Half of that research paper is devoted to techniques for estimating the field and its effects on light in the region around the Arc.”

“I guess they had to get 3D positions for all the galaxies in the cluster. That’d be a lot of work.”

“It would, Al, but that’s beyond what current technology can do. Instead, they used computer models to do — get this, Sy — curve fitting.”

<chuckle> “Good one, Cathleen.”

“What’s so funny?”

“There’s a well-established scientific technique called ‘curve fitting.’ You graph some data and try to find an equation that does a respectable job of running through or at least near your data points. Newton started it, of course. Putting it in modern terms, he’d plot out some artillery data and say, ‘Hmm, that looks like a parabola H=h+v·t+a·t2. I wonder what values of h, v and a make the H-t curve fit those measurements. Hey, a is always 32 feet per second per second. Cool.’ Or something like that. Anyhow, Cathleen’s joke was that the researchers used curve fitting to fit the Sunrise Arc’s curve, right?”

“They did that, Sy. The underlying physical model, something called ‘caustic optics,’ says that—”

“Caustic like caustic soda? I got burnt by that stuff once.”

Image by Heiner Otterstedt,
under the Creative Commons Attribution-Share Alike 3.0 Unported license

“That’s the old name for sodium hydroxide, Vinnie. It’s a powerful chemical and yeah, it can give you trouble if you’re not careful. That name and caustic optics both come from the Greek word for burning. The optics term goes back to using a lens as a burning glass. See those focused patterns of light next to your water glass? Each pattern is a caustic. The Arc’s lensing cluster’s like any light‑bender, it’s enclosed in a caustic perimeter. Light passing near the perimeter gets split, the two parts going to either side of the perimeter. The Earendel team’s curve‑fitting project asked, ‘Where must the caustic perimeter be to produce these duplicate galaxy images neighboring the Arc?‘ The model even has that bulge from the gravity of a nearby foreground galaxy.”

“And the star?”

“Earendel seems to be smack on top of the perimeter. Any image touching that special line is intensified way beyond what it ought to be given the source’s distance from us. It’s a pretty bright star to begin with, though. Or maybe two stars.”

“Wait, you don’t know?”

“Not yet. This study pushed the boundaries of what Hubble can do for us. We’re going to need JWST‘s infrared instruments to nail things down.”

Al’s in awe. “Wow — that caustic’s sharp enough to pick one star out of a galaxy.”

“Beat the astronomical odds, huh?”

Adapted from a public-domain image.
Credit: Science: NASA / ESA / Brian Welch (JHU) / Dan Coe (STScI); Image processing: NASA / ESA / Alyssa Pagan (STScI)

~~ Rich Olcott

When The Stars Are Aligned Right

Cathleen and I are chatting when Vinnie bursts into the coffee shop waving a newspaper. “New news, guys, they’ve just announced Hubble spotted the farthest‑away star. How about that? Think what JWST will be able to do!”

Cathleen raises an eyebrow. “Sounds like press release science. What else do they say?”

“Not a whole lot. Lessee… These guys went through old Hubble data and found a piece of an Einstein ring which I don’t know what that is and partway along the ring is a star and somehow they figured out it’s 50 times heavier than the Sun and 12 billion years old and it’s the farthest star they’ve ever seen and that’s why NASA’s all excited.”

“Do you believe all that?”

“Maybe the NASA PR people do?”

“Maybe. I just read the technical paper behind that announcement. The authors themselves aren’t absolutely sure. The paper’s loaded with supporting evidence and ‘how we did it‘ details but it’s also loaded with caveats. The text includes a string of alternative explanations for their observations, winding up with a typical ‘we await further evidence from JWST‘ statement. Reads a lot more like real science. Besides, we’ve already seen more distant stars but they’re all jumbled together inside their very distant galaxies.”

“Unpack it for me. Start with what’s an Einstein ring?”

“It’s a gravitational lensing effect. Sy, does Old Reliable still have a copy of that graphic you did about gravitational lensing?”

“That was years ago. Let me check… Uh‑huh, here it is.”

“Thanks. Vinnie, you know how a prism changes light’s direction.”

“Sy and me, we talked about how a prism bends light when light crosses from air to glass or the other way ’cause of the different speed it goes in each material. Uhh, if I remember right the light bends toward the slower speed, and you get more bend with shorter wavelengths.”

“Bingo, Vinnie. Gravitational lensing also bends light, but the resemblance ends there. The light’s just going through empty space, not different media. What varies is the shape of spacetime itself. Say an object approaches a heavy mass. Because of relativity the space it moves through appears compressed and its time is dilated. Compressed distance divided by dilated time means reduced velocity. Parts of a spread‑out lightwave closest to the mass slow down more than parts further way so the whole wave bends toward the heavy mass. Okay?”

“Hold on. Umm, so in your picture light coming towards us from that galaxy doesn’t get blocked by that black thingy, the light bends around it on both sides and focuses in on us?”

“Exactly. Now carry it further. The diagram cuts a flat 2D slice along round 3D spatial reality. Those yellow lines really are cones. Three‑sixty degrees around the black blob, the galaxy’s light bends by the same amount towards the line between us and the blob. Your Einstein ring is a cut across the cone, assuming that the galaxy, the blob and Earth are all exactly on the same straight line. If the galaxy’s off‑center the picture isn’t as pretty — you only get part of a ring, like those red arcs in Sy’s diagram.”

“A galactic rainbow. That ought to be awesome!”

“Well it would be, but there’s another difference between prisms and blobs. Rainbows happen because prisms and raindrops bend short‑wavelength colors more than longer ones, like you said. Gravitational lensing doesn’t care about wavelength. Wavelengths do shift as light traverses a gravitational well but the outbound red shift cancels the inbound blue shift.. Where gravity generates an Einstein ring, all wavelengths bend through the same angle. Which is a good thing for bleeding‑edge astronomy researchers.”

“Why’s that, Cathleen?”

“If the effect were wavelength‑dependent we’d have aberration, the astronomer’s nemesis. Images would be smeared out. As it is, all the photons from a point hit the same spot on the sensor and we’ve got something to see.”

“Tell him about amplification, Cathleen.”

“Good point, Sy. Each galactic star emits light in every direction. In effect, the blob collects light over its entire surface area and concentrates that light along the focal line. We get the brightest image when the stars are aligned right.”

~~ Rich Olcott

Now And Then And There

Still at our table in Al’s otherwise empty coffee shop. We’re leading up to how Physics scrambled Now when a bell dings behind the counter. Al dashes over there. Meanwhile, Cathleen scribbles on a paper napkin with her colored pencils. She adds two red lines just as Al comes back with a plate of scones. “Here, Sy, if you’re going to talk Minkowski space this might be useful.”

“Hah, you’re right, Cathleen, this is perfect. Thanks, Al, I’ll have a strawberry one. Mmm, I love ’em fresh like this. OK, guys, take a look at Cathleen’s graphy artwork.”

“So? It’s the tile floor here.”

“Not even close, Mr Feder. Check the labels. The up‑and‑down label is ‘Time’ with later as higher. The diagram covers the period we’ve been sitting here. ‘Now‘ moves up, ‘Here’ goes side‑to‑side. ‘Table‘ and ‘Oven‘, different points in space, are two parallel lines. They’re lines because they both exist during this time period. They’re vertical because neither one moves from its relative spatial position. Okay?”

“Go on, Moire.”
  ”Makes sense to me, Sy.”

“Good. ‘Bell‘ marks an event, a specific point in spacetime. In this case it’s the moment when we here at the table heard the bell. I said ‘spacetime‘ because we’re treating space and time as a combined thing. Okay?”

“Go on, Moire.”
  ”Makes sense to me, Sy.”

“So then Al went to the oven and came back to the table. He traveled a distance, took some time to do that. Distance divided by time equals velocity. ‘Table‘ has zero velocity and its line is vertical. Al’s line would tilt down more if he went faster, okay?”

“Mmmm, got it, Sy.”
  ”Cute how you draw the come-back label backwards, lady. Go on, Moire.”

“I do my best, Mr Feder.”

“Fine, you’ve got the basic ideas. Now imagine all around us there’s graph paper like this — except there’s no paper and it’s a 4‑dimensional grid to account for motion in three spatial dimensions while time proceeds. Al left and returned to the same space point so his spacetime interval is just the time difference. If two events differ in time AND place there’s special arithmetic for calculating the interval.”

“So where’s that get us, Moire?”

“It got 18th and 19th Century Physics very far, indeed. Newton and everyone after him made great progress using math based on a nice stable rectangular space grid crossed with an orderly time line. Then Lorentz and Poincaré and Einstein came along.”

“Who’s Poincaré?”

“The foremost mathematician of nineteenth Century France. A mine safety engineer most days and a wide‑ranging thinker the rest of the time — did bleeding‑edge work in many branches of physics and math, even invented a few branches of his own. He put Lorentz’s relativity work on a firm mathematical footing, set the spacetime and gravity stage for Minkowsky and Einstein. All that and a long list of academic and governmental appointments but somehow he found the time to have four kids.”

“A ball of fire, huh? So what’d he do to Newton’s jungle gym?”

“Turned its steel rod framework into jello. Remember how Cathleen’s Minkowski diagram connected slope with velocity? Einstein showed how Lorentz’s relativity factor sets a speed limit for our Universe. On the diagram, that’d be a minimum slope. Going vertical is okay, that’s standing still in space. Going horizontal isn’t, because that’d be instantaneous travel. This animation tells the ‘Now‘ story better than words can.”

“Whah?”
  ”Whah?”

“We’re looking down on three space travelers and three events. Speeds below lightspeed are within the gray hourglass shape. The white line perpendicular to each traveler’s time line is their personal ‘Now‘. The travelers go at different velocities relative to us so their slopes and ‘Now‘ lines are different. From our point of view, time goes straight up. One traveler is sitting still relative to us so its timeline is marked ‘v=0‘ and parallels ours. We and the v=0 traveler see events A, B and C happening simultaneously. The other travelers don’t agree. ‘Simultaneous‘ is an illusion.”

~~ Rich Olcott